Birmingham-based culinary wizard Annabel de Vetten (aka Annabel Lecter) is cooking up a fantastic event on Sunday 28 May as her Conjurer’s Kitchen plays host to Vincent Price’s Birthday Bash at The Electric Cinema, starting 8pm. Tickets are selling fast, so book now!
Legendary horror actor Vincent Price is best remembered for his delightfully scary turns in such classic fright fests as House of Wax, The Fly and Theatre of Blood – and also being the voice of Michael Jackson’s Thriller and an inspiration for fantasy directors like Tim Burton.
But Vincent Price was also a Renaissance man with omnivorous appetite for life, art, travel – and fine food. In fact, in the 1960s, the ghoulish gourmand and his wife Mary published a number of celebrated cookbooks – including the lavish best-seller, A Treasury of Great Recipes, featuring a host of Mad Men-era treats, and Come Into the Kitchen, which was devoted to traditional American cuisine. Both of these gastronomic tomes have been given lavish reprints, while Cooking Price-Wise, based on the actor’s British 1970s TV show, will be back in print later this year.
Conjurer’s Kitchen is proud to celebrate the King of Horror’s culinary legacy by drawing from those tomes to call forth gastronomic ghosts of kitchens past iat Birmingham’s Electric Cinema, which will take place over the weekend on what would have been Vincent’s 106th birthday (he was born on 27 May 1911).
Special guest will be Vincent and Mary’s daughter Victoria Price, an author and inspirational speaker, who will pay tribute to her dad with a very personal presentation, and talk about his cultural legacy of inspirational living, dining, and exploring the world.
Expect classic clips, tasty bites, and a few surprises!
As part of the BFI Southbank’s Girls Like Us: British Women and WWII Cinema season in April, the 1946 melodrama Piccadilly Incident, starring Anna Neagle and Michael Wilding, gets a NFT2 screening on Wednesday 19 April (6.15pm) and Sunday 20 April (5.40pm). Co-starring is Coral Browne, the third wife of Vincent Price.
But she’s not the only spouse of the beloved actor to be gracing the BFI, for Vincent’s first wife, Edith Barrett co-stars in the celebrated Val Lewton 1943 horror, I Walked With A Zombie, which screens on Sunday 2 April (8.40pm), as part of their Cult series.
In Piccadilly Incident, Wren Diana Fraser (Anna Neagle) returns to England after three years stranded on a desert island to find that Alan Pearson (Michael Wildling), the man whom she married in a London air-raid, had thought her dead and has remarried a woman called Virginia (Coral Browne). This hugely popular weepie teamed Neagle and Wilding for the first time, establishing them as top box-office stars in five more films, beginning with The Courtneys of Curzon Street and ending with The Lady with the Lamp in 1951. It also scored Neagle a Best Actress of the year nod by the readers of Picturegoer magazine.
BOOK TICKETS HERE
In producer Val Lewton and director Jacques Torneur’s famous voodoo chiller I Walk With a Zombie, Canadian nurse Betsy Connell (Frances Dee) arrives in the West Indies and soon gets involved in menacing goings on in the moonlight with Tom Conway’s zombie wife Jessica (Christine Gordon). Much better than its title would indicate, this beautifully made drama is a sort of Haitian voodoo offshoot of Jane Eyre. A little on the slow side, it nonetheless remained Tourneur’s favourite film, mainly because of its poetic qualities. It’s very moody, with a commendably firm central performance by Dee, and great support from Edith Barrett as the mysterious Mrs Rand, who harbours a dark secret.
BOOK TICKETS HERE: 29 March
BOOK TICKETS HERE: (2 April)
While this American International Pictures horror classic was released in the US in the summer of 1963, it wasn’t until 21 February 1966 that UK cinemagoers got to enter The Haunted Palace.
In 1875, Charles Dexter Ward (Vincent Price) and his wife Ann (Debra Paget) inherit a mansion in the New England village of Arkham, where they find themselves shunned by the local townspeople who live in fear of a curse placed on them by Charles’ great-great-grandfather Joseph Curwen, a necromancer and warlock, who was burnt at the stake for practising witchcraft 110 years previously.
But, just as the Ward’s decide to pack their bags, Charles is taken over by the spirit of his evil ancestor who then sets out to wreak revenge on those who stopped his ‘work’…
Roger Corman’s sixth Gothic horror in his Edgar Allan Poe cycle, borrows its title from an 1839 poem by the macabre writer, but owes a huge debt to the nightmarish Cthulhu-verse of HP Lovecraft, as it is loosely based on the 1927 novella The Case of Charles Dexter Ward.
With suitably atmospheric cinematography from Floyd Crosby, and probably one of the best film scores ever from Ronald Stein, this entry in the Corman/Price/Poe cycle is a true classic, while the restrained performance by Price in the dual role of the evil Curwen and the ineffectual Charles adds to the sense of underlying horror.
Along for the ride are some genre favourites, Lon Chaney Jr and Elisha Cook Jr (who adds being burnt alive to his many screen deaths), while this was the last film of Debra Paget, who quit acting soon after.
‘You’ll need someone to hang onto when you come face to face with the blood-chilling terrors in the tower!’
In this tale of murder, ghosts and guilt directed by Roger Corman for Admiral Pictures, 1960s cinemagoers were dared to spend 83-minutes (actually 79-minutes) in the Tower of London – a monument to the corruption of the soul – according to the film’s narrator (Paul Frees).
It is the year 1483 and the body count begins following the death of Edward IV as Vincent Price’s Richard murders his way to the throne of England, killing his brother Clarence, his political rivals, his nephews and even his beloved wife Anne.
Tortured by guilt, the ghosts of his victims return to haunt the newly crowned monarch, and ultimately lead him to his death on a muddy field at the Battle of Boswell from the sharp end of a double-edged battle-axe.
Produced by Roger Corman’s brother, Gene, Tower of London was an attempt by Admiral Pictures to cash in on the success of American International Pictures successful Poe pictures, but was ultimately let down by its cut-price production values. But the one thing it has got going for it is Vincent Price.
Being the go-to guy for gothic horror in the early 1960s, only Vincent could take on this twisted sibling to the macabre Poe-universe, which made him the King of Horror following his genuinely menacing turns in The Fall of the House of Usher and Pit and the Pendulum, and his multiple roles in Tales of Terror.
Plagued by Hamlet’s ghosts and cursed to die like Macbeth, Vincent Price’s take on Richard III – based on ‘a screenplay by Leo Gordon from stories by Poe and Shakespeare’(*) – is like no other – and nor should it be. It’s a virtuoso one-man show in which he goes from quietly ominous to all out ham hysterics – the kind of which would enshrine Vincent’s unique style forever more.
While its not his best work – Price himself admitted he could have done more with the character– his trademark arched eyebrows, wild-eyes and lip curling leers are certainly worth the price of admission, while the occasional flashes of subtlety serve to remind us that Vincent was also capable of truly great performances when reigned in. This would be most evident in 1968’s Witchfinder General, but also in Roger Corman’s HP Lovecraft horror The Haunted Palace.
Vincent’s Richard is not purely evil, unlike his satanic Prince Prospero in Masque of the Red Death. Instead, he presents Richard as a man whose guilty conscience drives him to madness. Before the histrionics begin, Vincent does inspire genuine sympathy for his character in a couple of genuinely poignant scenes: one in which the ghosts of the little princes try to lure him into committing suicide, and when Richard’s mother, the Queen, shows her hatred for her son’s physical deformities (a hump and a limp hand).
Of course, when Vincent turns on the ham, you can’t help but be reminded of his horror film opus, Theatre of Blood, in which he played the vengeful Shakespearean actor Edward Lionheart. Venting in the same ‘voice beautiful’ that Lionheart was accused of by his critics in the black comedy horror, Vincent becomes Lionheart personified. It’s quite a hoot.
Arrow’s High Definition Blu-ray (1080p) and Standard Definition DVD presentation of Tower of London has been transferred from original film elements by MGM, and includes the original 1.0 mono audio (uncompressed on the Blu-ray) and optional English subtitles. This is a super transfer and a must-have in your Vincent Price library, although the cover art really isn’t to my taste. There’s also a collector’s booklet with an article by John Upton (but this was not included with my screener).
Included in the disc are two archive interviews with Roger and Gene Corman, who spill the beans on the problems behind making the picture, as well as a splendid slideshow featuring behind-the-scenes photos (that I have never seen before) from the collection of Brett Cameron, which plays alongside Michael Anderson’s rousing theme tune.
The other bonus is an audio commentary from Hollywood historian David Del Valle in which he describes Vincent’s Richard as ‘a Todd Slaughter performance’, which he ‘dials up to 12’ in the ‘Plantagenet fun house’ haunting scene, and gives a ‘150-watt leer’ in the battle scene. It’s all great fun to listen to. Del Valle also sets the record straight about Vincent’s acting prowess: that for all the camp barnstorming, he was indeed an actor of wide range, which culminated in his one-man show Diversions & Delights. Nice one, David.
The film’s supporting actors also get the Del Valle once over, including Richard Hale, who appeared in The Incredible Docktor Markesan episode of TV’s Thriller and the chap playing the Duke of Clarence (Charles Macaulay), was Dracula in Blacula.
Tara Gordon, the daughter of the film’s screenwriter Leo Gordon, also features in the commentary. Her father’s amazingly varied career could have made a feature-length commentary by itself, and though I would have like to know more, we do get to hear from her about her dad’s association with Roger Corman and his co-writer Amos Powell, who shot himself, while her story about her dad’s fart machine is hilarious.
(*) Roger Corman interview (Arrow Blu-ray, bonus feature)
To celebrate the UK Blu-ray release of the Roger Corman-directed 1962 hysterical historical horror, Tower of London, starring Vincent Price as Richard III, check out this fine Gallery of Horrors, which includes the full set of original lobby cards and excerpts from the UK Pressbook.
Please do share feel free to download and share, just tell them the Vincent Price Legacy UK sent you… and don’t forget to check out our 20 Frightfully Fun Facts about Tower of London (CLICK HERE).
Over the years the 1970 sci-fi horror conspiracy thriller Scream and Scream Again has aged surprisingly well. Its seemingly unnconnected plots actually look quite hip in today’s channel hopping, attention deficit, age. And the horror thriller was certainly hip in its day, earning big at the box office for its producers, Amicus and American International Pictures.
Vincent Price gets top billing as cancer scientist Dr Browning, conducting mysterious research in a rural Surrey mansion; while Alfred Marks’ London detective is tracking down a homicidal sex maniac dubbed, The Vampire Killer, who is targeting girls in local nightclubs. Meanwhile, in some unspecified Eastern European totalitarian state, Peter Cushing gets bumped off by Marshall Jones’ Konratz (though everyone calls him Konrad in the film) as part of his climb to the top job, while back in Blighty, Christopher Lee’s British Intelligence official is trying to secure the release of a lost British pilot.
Vincent only really gets to shine in the film’s final reels – for a quick tour of his modern Frankenstein-styled lab – before an undignified acid bath death at the hands of Lee’s man from the ministry.
Still, Scream and Scream Again is one of the most unusual and unique British sci-fi’s ever made, and now that its available in HD on Blu-ray and DVD, with the restored the original soundtrack, including Amen Corner’s eponymous theme tune – its one to watch again and again…
To celebrate the film’s original cinema release in the UK on 8 February 1970 (it went on general release in the US on 13 February), check out our gallery of original US Lobby Cards from my own collection. CLICK HERE
To celebrate the film’s release in the UK on 8 February 1970, here’s a gallery of original US Lobby Cards from my own collection.
The Theatre Guild and Joel Schenker
Vincent Price and Patricia Routledge
In a new musical
DARLING OF THE DAY
Based on Arnold Bennett’s Buried Alive and his play The Great Adventure.
Also starring Brenda Forbes, Peter Woodthorpe and Teddy Green.
Composed by Jule Styne
Lyrics by EY Harburg
‘…thoroughly delightful. It has charm, tunefulness, humour, imagination, a good book, impeccable taste and a handsome production. Mr Price is convincing and charming as the artist in hiding… a superior musical comedy!’ (Richard Watts, The New York Post)
Darling of the Day is set in the England of 1905 – Edwardian and elegant – and it’s the story of a great and painfuly shy painter named Priam Farll (Vincent Price) who is summoned back to England after 20 years as a virtual recluse in the South Seas, to be knighted by his King.
After the death of his butler, Henry Leek, Farll assumes his identity, falls for a young widow called Alice Challice (Patricia Routledge) and they marry and settled in (what was then) lower middle-class Putney.
Life becomes complicated for Priam and Alice when his identity is unveiled and he ends up in court. However, when Farll warns that if there’s a ‘Butler in the Abbey’ the social structure of Britain will be shaken, the judge hastily rules that Leek must remain Leek…
Following Darling of the Day‘s pre-Broadway run, the York Theatre Company show had three previews before its premiere performance at the George Abbott Theatre (152 W. 54th St., New York, NY) on 27 January 1968. Following mixed reviews, the show folded after 31 performances, but it did earn Routledge the 1968 Tony Award for Best Actress in a Musical.
However, thanks to an RCA cast album that was recorded in Webster Hall, New York City, the Broadway musical has been preserved for prosperity, capturing not only Routledge’s award-winning performance, but also Price in his first and only Broadway musical. You can listen to it in full HERE on our sister site, The Sound of Vincent Price.
In the meantime, here’s rare clip of Price performing I’ve Got a Rainbow Working For Me on Frost On Sunday on 15 March 1970.
Click on the picture below to view the entire original playbill
Nominated for four Oscars and winning one, this is the ultimate classic noir mystery.
Dana Andrews plays the detective who delves into the murder of Gene Tierney’s enigmatic Laura, with whom everyone is in love with. But it is Clifton Webb who steals the show as the titular ingenue’s creepily elegant social mentor, Waldo Lydecker.
Vincent Price, in a role he regarded as one of his all-time favourites, plays the polished Southern playboy Shelby Carpenter who loves the ladies and plays a mean piano. It’s just a shame that the scene of him serenading a party of lovelies is now all but lost…
Laura was released on 11 October 1944 in the US, while the UK had to wait until 15 January 1945 before the film could cast its spell on audiences on the other side of the pond.