2022 marks the 50th anniversary of the filming of Vincent Price’s horror opus, which took place in London from 10 July to 17 August 1972.
In celebration, Vincent Price Legacy UK curator Peter Fuller led a special tour with the film’s last surviving cast member, Madeline Smith, visiting all the locations in which Madeline had her scenes.



We started at Kensal Green Cemetery: which was used for three key scenes: the funeral of critic George Maxwell (Michael Hordern), the grisly late arrival of one of the mourners, critic Hector Snipe (Dennis Price) and a scene between Edwina Lionheart (Diana Rigg) and Peregrine Devlin (Ian Hendry). Filming took place between 10-16 August 1972 and involved most of the cast appearing on the steps of the Anglican chapel, while Vincent Price appeared in disguise as the gravedigger who fills in Maxwell’s grave.
Madeline told our tour attendees about her memories of filming and thoroughly enjoyed posing for pictures in the same spot she stood 50 years ago. On her Facebook page, she wrote:
‘Despite the extreme heat, I spent a delightful Sunday with the encyclopedic Peter Fuller on his Theatre of Blood walking tour. It was 50 years to the day (10th July 1972) that we started shooting, and even though this was a joyous event, it was tinged with sadness as we all stood on the steps of the Anglican Chapel in Kensal Green Cemetery (Where George Maxwell’s funeral took place and Hector Snipe’s corpse arrived tied to the back of a horse) I reflected on the fact that all that incredible talent is now no longer with us. I can’t thank Peter and his tour group for their love, care and attention as well as the knowledge imparted re this wonderful little film. Much Love…Maddy xx‘







Following lunch, we took a 40-min bus journey to Putney. Just off the high street is where Lionheart’s lair, the Burbage Theatre, once stood. It was, of course, the old Putney Hippodrome (demolished in 1975) and featured heavily in the final scenes in which Lionheart sets fire to the theatre before taking his final curtain call into the flames. Madeline told us how the theatre was really set alight and how fire engines were on standby just in case the fires got out of control.






Next up was a short bus trip to The Causeway in Wandsworth. At this site, Devlin is knocked unconscious after meeting Edwina, while Inspector Boot (Milo O’Shea) and Devlin’s secretary Rosemary (Madeline) listen to Sgt Dogge (Eric Sykes), who is hiding in the boot of Devlin’s jag, being run over by a train.





Our final destination was Peninsula Heights in Vauxhall. The penthouse at the very top of the building was used as Devlin’s chic apartment and is where Lionheart takes his swan dive into the Thames. Madeline told us that these scenes involved some very long days, and she had some very interesting memories of what happened during filming.









Here’s what some of our attendees had to say about the tour:
‘Thanks for a fantastic day. The tour was brilliant &
very enlightening & Maddie was absolutely lovely’
Vinny Venus
‘Thanks, Peter, for organising. We both loved it. And Maddie was great’
Michael Borio
‘Hi there, Peter, just a quick message to re-emphasise what a brilliant day I had today. It was great meeting you, and it was a very informative and interesting tour. Look forward to the next event’
Dwayne Hickman
‘I’ve been on this tour, and it’s great. TOB was actually one of the first films I saw with Ian Hendry. I later wrote his biography, Send in the Clowns‘
Gabriel Hershman








It all kicked off last spring when a group of us spent the weekend of 21 and 22 April in Suffolk and East Anglia exploring the original film locations used in Witchfinder General, which celebrated its 50th anniversary in 2018.
Lots of new friends were made during our adventures that coincided with Ian Ogilvy (one of the film’s stars) visiting London. While he wasn’t able to join us (but hopes to in the future), he kindly signed the fantastic souvenir poster designed by Graham Humphreys that was given out at the end of the tour to each of the attendees.
By popular demand, our annual walking tour of the Theatre of Blood London film locations returned in the summer, with 30 attendees (our biggest group yet) taking all manner of transport on Saturday July 28 to different parts of London as we sought out some of the most iconic sites used in the black comedy horror.
This year we visited Kensal Green Cemetery, one of the key locations, and also returned to some of old favourites, including Meredith Merridew’s house in Putney and the old shipyard in Brentwood where Edward Lionheart is plucked out of the Thames by the meth drinkers. It was a great day, blessed with great weather again (I think Vincent was looking out for us).
2018 marked the 90th-anniversary of Vincent Price’s Grand Tour of Europe. As such, Victoria Price and myself wanted to honour her dad’s trip by exploring a bit of Europe ourselves as one of our ESC Tours excursions.

November was a very busy time as Victoria Price returned to the UK for a number of engagements, including a first time visit to Darlington to introduce Pit and the Pendulum at the local film club there and a return to Birmingham, where she accepted a Lifetime Achievement Award on behalf of her dad at the annual Cine Excess conference. This was also attended by Pete Walker, who directed Vincent in House of the Long Shadows.
Back in London, Victoria conducted an inspiring talk at the fantastic Cinema Museum hosted by the wonderful Misty Moon gang and also took on another role – as an ordained interfaith/interpsiritual minister – to conduct a wonderful wedding for our dear friends Roni and Stu, who chose Somewhere Over the Rainbow, sung by Vincent, to end the proceedings. Now that was a truly touching moment that will stay with me forever.
We capped off 2018 with our Yield Up the Mystery Weekender, which sought out places in Norfolk where the spiritual and the spooky connected. It took us from King’s Lynn to Norwich and onto Long Melford in Suffolk via the fabulous ruins of Castle Acre Priory, the original film location used in Tomb of Ligeia. Big thanks again to Graham Humphreys, who conjured up another fantastic souvenir poster for our attendees.


Did you know that Castle Acre Priory in Norfolk was used as the primary location for 1964’s Tomb of Ligeia, Roger Corman’s last hurrah in American International Pictures’ Poe adaptations starring Vincent Price?











VERDEN TO THE RESCUE
TOMBSTONE DEFACING

TO THE BELL TOWER
AFTERNOON TEA
If you are ever in Norfolk, I do recommend a visit to Castle Acre. Of course, it wasn’t the only film location used in this classic Gothic horror – the others were Stonehenge, Polesden Lacey in Dorking, Surrey and St John’s Rectory in Wotton – and I’m looking forward to checking them out soon.



Next up was the site of the fencing school where Lionheart reveals himself to his nemesis, Peregrine Devlin (Ian Hendry), located in St John’s Wood, just a short stroll from Abbey Road Studios; then we had lunch on the banks of the river Thames in Hammersmith, where George Maxwell’s apartment lies in the shadow of the iconic Hammersmith Bridge.



After a well-earned pint at a pub nearby (whose patrons were rather suprised by 30 people – many in our special Tour tees – descending on the place), we all headed to Putney – another key location as three key scenes where all shot in the area.




Visiting all of the locations used in the film would really take two days, so each year we try to mix them up a bit, so it’s always an adventure and a great way to see parts of London even Londoners rarely visit. If you’d like to join us next year, then do sign up to the Vincent Price Legacy UK newsletter (
My heartfelt thanks goes out to Selene for taking the reigns of the Mystery Machine and to Graham Humphreys for the fantastic poster that he produced, and got signed by the film’s second big star, Ian Ogilvy, which attendees received on Sunday afternoon over some well-earned pints in Manningtree, at the very location where the real Matthew Hopkins conducted some of his evil deeds.























Little Hall, Lavenham










The film begins with the sun rising over an unidentified suburb in Rome, with vista shots of the Tiber, deserted streets littered with corpses, tower blocks and a freeway overpass (to link it to LA obviously), a petrol station, supermarket and a Community Church displaying a sign The End Has Come.



While heading to dispose of his latest ‘victims’, Morgan passes Santi Pietro e Paolo a Via Ostiense and a couple of tower blocks, and ends up on the outskirts of Rome where the burning plague pit is situated.
After picking up some chilled garlic at a modern (1950s style) supermarket, Morgan tracks stakes some more sleeping vampires. A montage reveals a new housing development, an amusement park (most probably the same one that appears in 1966’s Dr Goldfoot and the Girl Bombs) and a large sporting arena.




Flashbacks reveal Morgan’s family life (which takes place in a villa with a terraced garden) and his work at the Mercer Institute of Chemical Research (an unidentified 1930s office building lined with columns), while army trucks drive through EUR’s wide streets.
Back in the present, Morgan gives chase to a black dog, heading down the street from his home, over a verge (where the same two columns we see at the beginning of the film can be seen), and onto the steps of the Palazzo della Civiltà Italiana.










The first is the small hill where Vincent Price’s Phibes and Valli Kemp’s Vulnavia dine on the local fish and quaff champagne in a tent. It appears in a comic scene in which Phibes almost chokes on a fish bone. Despite the ‘Keep Off’ signs, I couldn’t help but take a climb to the exact spot where the tent was pitched (can you spot me in the pic below?).
The film shows Phibes and Vulnavia heading towards the promotory. Unfortunately, the advancing years has seen some major rock and sand shifts, which made climbing it a little risky – and I couldn’t quite get to the exact position. But hey! It was still cool to be here.






But I did score an informative book called Almeria in Film which has so many great locations that pop up in classics like Valley of the Gwangi that I’m now planning on returning soon in order to fill in the gaps – and also to find out where the sand dune shots were filmed (which feature in the scenes in which Gerald Sim’s Hackett encounters the Clockwork men).

Myself and a group of friends will be exploring the Witchfinder General Film Locations Tour over the weekend of 21-22 April 2018.





Vesalius and Trout are then led by the graveyard attendant down a path beside the Egyptian Avenue, before heading down into the Avenue itself (although we don’t actually see that).


Following a brief sequence in which the ‘fashionable’ Vulnavia presents Phibes with some flowers, we return to Highgate for a brief shot of the graveyard attendant letting Vesalius and Trout into the Phibes crypt.
Now this was bugger to locate as a prop entrance masks the actual tomb that was used. However, I did notice that the crypt of singer Mabel Batten, which also has poet/author Radclyffe Hall interred there, has the same curved architrave that you can see on the tomb beside the Phibes crypt (check it out in the top left hand corner of the picture above), so it could very well be the one on its immediate left. Unfortunately, I didn’t photograph that particular tomb – so I will just have to return to Highgate very soon.